Investigating the potential of Kermanshah Province in the export of creative and cultural industries

Document Type : Research extracted From projects

Author

Department of Geography, Faculty of literature and humanities, Razi University, Kermanshah, Iran

10.22098/gsd.2024.15085.1056

Abstract

A B S T R A C T
Today, creative and cultural industries have attracted the attention of many researchers. If all the principles and rules of any activity are important to its result, one of the most important and effective results in the field of cultural and artistic management is the production and export of these products. The development of cultural creative industries is possible and probable according to the potential that exists in the country. However, these creative and cultural industries have not been able to find their place so far. Based on this, this research has been conducted with the aim of analyzing the export of creative and cultural industries in Kermanshah province. Qualitative research method was grounded theory type. The number of respondents was 104 who were identified using the snowball method. The findings of the research show that 8 factors of internal challenges, Kermanshah's potential for the development of creative industries, international issues, educational challenges, production challenges, characteristics of creative industries and economic challenges hinder the development of export of creative industries. Finally, the consequences of these challenges have been the loss of the market of neighboring countries, economic poverty, the gradual destruction of creative industries, the departure of artists from the country, the reduction of competition against foreign competitors, and the extensive import of creative and cultural industries. If all the principles and rules of any activity are important to its result, one of the most important and effective results in the field of cultural and artistic management is the production and export of these products
Extended Abstract
Introduction
Cultural and creative industries in Iran are facing a dire situation. On the one hand, the Islamic revolution has a "cultural" nature, and the twenty-year vision also emphasizes on inspiring the country in the Islamic world, and Iran also has remarkable capacities in this field, including the large number of graduates in the fields of He pointed out the art and human sciences and the rich history and culture of the country. On the other hand, Iran's cultural industries are generally miles away from the ideal situation, the reasons for the formation of phenomena should be sought beyond social, political, economic or technological factors and in the discourses and worldviews that govern them.
Kermanshah province has been chosen as an indigenous study due to the existence of various cultural and artistic industries and the relationship these industries have with local and indigenous culture. The export of these cultural and artistic goods to Iraq and Turkey provides a suitable platform for activists in this field to earn diverse incomes for themselves and the country. The cultural and artistic activists of this sector have the opportunity to be present in various arenas of global markets, especially in Iraqi Kurdistan and the country of Iraq, as well as Turkey. If obstacles and challenges are identified and appropriate strategies are adopted, creative arts and culture industries can be a place to attract high export revenues and introduce local art of the region to the world. Therefore, the main question of this research is, what are the disadvantages of the export of cultural creative industries in Kermanshah province?
 
Research Methodology
The research methodology is based on the qualitative paradigm method.
The research method is qualitative and using the grounded theory method. The research method is practical in terms of purpose. In this research, indicators were extracted using the methods mentioned in the validity and reliability section of the interview card. In this way, in the first stage, by using the content analysis of the studies conducted at the world level, the country, the world, the relevant indicators were extracted, and in the second stage, by using the interview card designed for the interviewed groups from among all the indicators. And the extracted components, indicators and indicators of the research were extracted as follows using the mentioned sources and after passing the filter of the initial interview card of the pre-test stage, they were used in the final interview card.
For this purpose, in the present study, participants were first selected. Contributors included the following:
First, through qualitative research, the conceptual model of the research is identified and drawn. Research methodology is based on interpretive paradigm. The research method is qualitative and using the grounded theory method. The research method is practical in terms of purpose.
 
Results
The findings of the research show that 8 factors of internal challenges, Kermanshah's potential for the development of creative industries, international issues, educational challenges, production challenges, characteristics of creative industries and economic challenges hinder the development of export of creative industries. Finally, the consequences of these challenges have been the loss of the market of neighboring countries, economic poverty, the gradual destruction of creative industries, the departure of artists from the country, the reduction of competition against foreign competitors, and the extensive import of creative and cultural industries.
 
Conclusion
This research was conducted with the aim of investigating the damages facing the export of creative industries of culture in Kermanshah province. The findings show that there are 35 categories that are effective on the export of creative and cultural industries. Among these categories, 8 components are internal challenges, the potential of Kermanshah for the development of creative industries, international issues, educational challenges, production challenges, characteristics creative industries and economic challenges hinder the development of export of creative industries hinder the development of export of creative industries. These components are influenced by multiple actions and interactions, which include the weakness of cultural industries economy, weak marketing, traditionality, lack of interested and professional businessmen, lack of evolution in creative industries over time and high production costs. There are a series of background conditions in the country that have kept the export of creative cultural industries in a state of stagnation, for which a solution must be found. These conditions include: high costs, sanctions, tendency towards new technologies, lack of suitable educational platforms and lack of native brand. At the same time, there are a set of intervening factors that must be controlled to minimize possible damage. These intervening factors include audits, weak institutions involved, constant exchange rate changes, anti-cultural policies, differences between governments, and government cultural sensitivities regarding some creative industries. In the end, neglecting these points has led to consequences such as the loss of the market of neighboring countries, economic poverty, the gradual destruction of creative industries, the departure of artists from the country, the reduction of competition against foreign competitors, and the extensive import of creative industries.
 
Funding
This research is derived from the research project entitled "Measuring the export capacity of creative industries with the approach of culture and art (case study of the field of art: painting, drama, calligraphy, graphics; case study of the cultural field: books and printed media)" which is supported by the General Department of Culture And the Islamic guidance of Kermanshah province has been carried out.
 
Authors’ Contribution
Authors contributed equally to the conceptualization and writing of the article. All of the authors approved thecontent of the manuscript and agreed on all aspects of the work declaration of competing interest none.
 
Conflict of Interest
Authors declared no conflict of interest.
 
Acknowledgments
 We are grateful to all the scientific consultants of this paper.

Keywords


  1. Abdollahi Chahar-Da Cheriki, E. (2016). Examining Cultural and Creative Industries as Economic Generators and Their Role in Universities. Fourth Conference on Industry-University Interaction with a Focus on Business Improvement, Mashhad. [in Persian].
  2. Ball, L. (2013). Future directions for employability research in the creative industries. working paper, Design Council and LTSN, London, available at: www.heacademy.ac.uk/assets/documents/subjects/adm/FutureDirectforEm.pdf
  3. Bilton, C. (2007). Management and creativity. Oxford: Blackwell.
  4. Bourdieu, P. (2011). Distinction: A Social Critique of the Judgement of Taste. Translated by Hassan Chavoshian. Tehran: Third Publishing. [in Persian].
  5. Central Province Science and Technology Park. (2022). Cultural Creative Industries, https://www.astp.ir/page/creative_industires [in Persian].
  6. EC (2014). Interreg IVC analysis report — Creative industries. Brussels: European Union, Interreg Joint Secretariat.
  7. Farhadi, N. (2003). Trade Policies and Economic Development in Developing Countries. 3rd edition, Tehran: Harir Publications. [in Persian].
  8. Florida, R. (2002). The Rise of the Creative Class. Basic Books/Perseus Books Group, New York.
  9. Florida, R. (2005). Cities and the Creative Class. Routledge, New York, NY.
  10. GEM, (2015). Global Entrepreneurship Monitor Report
  11. Hoseinzadegan, Z. (2011). Designing a Model for Export Development of Cultural Goods. PhD dissertation. Islamic Azad University, Tehran Science and Research Branch. [in Persian].
  12. Howkins, J. (2001). The Creative Economy: How People Make Money from Ideas. Penguin.
  13. Howkins, J. (2002). The Creative Economy. Penguin, London
  14. Isenberg, D. (2011). How to foment an entrepreneurialrevolution, The Babson Entrepreneurship Ecosystem Project. 10th international Entrepreneurship Forum, Bahrain, January 11, 2011, 3-5.
  15. Isenberg, D. (2012). Introducing the Babson entrepreneurship ecosystem project. The Babson Global, 1-28
  16. Khaghani, M., & Mirani, S. (2011), The Role of Creativity and Innovation in the Development of Cultural Industries. National Conference on Cultural Industries and Their Role in Sustainable Development, Kermanshah. [in Persian].
  17. Maleki Far, S. (2018). Guest Editor: Why Do Cultural and Creative Industries Lack Vitality?. Science and Technology Policy, 10(4), 21-1. [in Persian].
  18. Martinaitytė, E., & Kregždaitė, R. (2015). the factors of creative industries development in nowadays stage. journal of scientific papers economics & sociology, 8(1), 1-15.
  19. National Information Society Agency. (2013). National Informatization White Paper. NIA
  20. Peters, M.A. (2010).Three forms of the knowledge economy: learning, creativity and openness, Economics. Management and Financial Markets, 5 (4), 63-92.
  21. Rahimi Rahbar, A., & Khodadadi Motarrazadeh, M. (2016). Challenges of Titles and Examples of Creative and Artistic Photography in Contemporary Iranian Photography with a Focus on the Ninth (2004) and Eleventh (2008) Photography Biennials. Visual Arts (Fine Arts), 21(1), 61-73. [in Persian].
  22. Rozeghesh ShirSavar, H., & Omrani Sabaghi, M. H (2013). Strategies for Exporting Cultural Goods in the Age of Globalization. Strategic Studies in Public Policy, 4(11), 41-72. [in Persian].
  23. Salehi Amiri, S. R., & Dolatabadi, A. (2012). Foundations of Cultural Policy and Planning. Tehran: Expediency Council, Strategic Research Center. [in Persian].
  24. Salehi Amiri, S. R., Kavosi, S. I., & Taghdehsi, P. D. (2010). Investigating the Influential Factors on the Export of Cultural Goods in Iran and Providing Managerial Strategies. Journal of Cultural Management, 4(9), 73-93. [in Persian].
  25. Sepehrnia, R., Delavar, A., & Salehi Amiri, S. R. (2014). Examining the Position of Creative Cultural Industries and Its Relation to the Enhancement of Cultural Capital in Iran. Innovation and Creativity in Sciences, 2(1), 169-131. [in Persian].
  26. Shoval Pour Arani, S., & Kohani, A. (2015). Investigating the Role of Technology in the Development of Cultural and Creative Industries: A Case Study of Persian Handwoven Carpets. Islamic Art Studies, 11(23), 115-128. [in Persian].
  27. Steven, D., & Gunasekaran, A. (2012). Performance Measures And Metric for the Creative Economy. Benchmarking: An International Journal, 21 (1), 46 – 61.